GT Pantheon

Family overview
  • Micro
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Text
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Display
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
Subfamilies
  • Display Light
    Parva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
  • Display Light Italic
    Parva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
  • Display Regular
    O fons Bandusiae, splendidior vitro, dulci digne mero non sine floribus, cras donaberis haedo, cui frons turgida cornibus.
  • Display Regular Italic
    Uror enim, laesusque exaestuat acrior ignis, cumque suis videor translatam viribus Aetnam pectore ferre meo: nec tu, Galatea, moveris.
  • Display Medium
    Haec sed forma mei pars est extrema furoris; sunt maiora, quibus, Basse, perire iuvat: ingenuus color et multis decus artibus, et quae gaudia sub tacita dicere veste libet.
  • Display Medium Italic
    Quo pinus ingens albaque populus umbram hospitalem consociare amant ramis? quid obliquo laborat lympha fugax trepidare rivo?
  • Display Bold
    Soles occidere et redire possunt; nobis cum semel occidit brevis lux, nox est perpetua una dormienda.
  • Display Bold Italic
    Phoebus volentem proelia me loqui victas et urbes increpuit lyra, ne parva Tyrrhenum per aequor vela darem.
  • Display Black
    Parva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
  • Display Black Italic
    Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
  • Settings
    Size
Typeface information

GT Pantheon is an interpretation of historic shapes in a contemporary manner. It exhibits an expressive and dynamic character visible in every stroke. At its core is the conception of three optically-adjusted faces, each designed to best represent the same type at different sizes: Display, Text, and Micro. Within this spectrum, the family moves between elegance, sharpness, warmth and robustness, matching expression with functionality.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian , Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface Minisite
  • Visit the GT Pantheon minisite to discover more about the typeface family’s history and design concept.
GT Pantheon in use