GT Ultra

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Family overview
  • Standard
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
  • Black Italic
  • Ultra
  • Median
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
  • Black Italic
  • Ultra
  • Fine
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
  • Black Italic
  • Ultra
Subfamilies
  • Standard Thin
    Garden scientists and collaborators work to develop sustainable management plans for protecting at-risk species and ecosystems.
  • Standard Thin Italic
    We speak in italics, featherlight and ever so faintly.
  • Standard Light
    Garden scientists and collaborators work to develop sustainable management plans for protecting at-risk species and ecosystems.
  • Standard Light Italic
    We speak in italics, featherlight and ever so faintly.
  • Standard Regular
    This emphasizes the need to invert both the inputs and the output, as well as change the operator, when doing a substitution.
  • Standard Regular Italic
    LaTurbo Avedon (b. 1988) is an avatar and artist creating work that emphasizes the practice of non-physical identity and authorship.
  • Standard Bold
    Physical parameters include the shape, size, stretch, and hair type of the ink brush; the color, color density and water density of the ink.
  • Standard Bold Italic
    The speed, accelerations and decelerations of a skilled calligrapher’s movements aim to give “spirit” to the characters, greatly influencing their final shapes.
  • Standard Black
    We speak in italics, featherlight and ever so faintly.
  • Standard Black Italic
    LaTurbo Avedon (b. 1988) is an avatar and artist creating work that emphasizes the practice of non-physical identity and authorship.
  • Standard Ultra
    62 expressions in one of these will have a directly analogous, or dual, expression in the other.
  • Settings
    Size
Typeface information

GT Ultra dances between the worlds of sans and serifs, fusing calligraphy and construction. The versatile typographic system combines the centuries-old context of serif type with the dynamism of modern sans; challenging its own definition and questioning contemporary typographic expectation.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian,Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Ultra’s fonts:

  • SS01
  • Alternate g
Aggregates
Typeface Minisite
  • Visit the GT Ultra minisite to discover more about the typeface family’s history and design concept.
GT Ultra in use