GT Ultra

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Family overview
  • Standard
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
  • Black Italic
  • Ultra
  • Median
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
  • Black Italic
  • Ultra
  • Fine
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
  • Black Italic
  • Ultra
Subfamilies
  • Standard Thin
    These 3 styles’ stroke orders vary more, sometimes creating radically different forms.
  • Standard Thin Italic
    Garden scientists and collaborators work to develop sustainable management plans for protecting at-risk species and ecosystems.
  • Standard Light
    Martha Graham’s dancing and choreography exposed the depths of human emotion through movements that were sharp, angular, jagged, and direct.
  • Standard Light Italic
    Physical parameters include the shape, size, stretch, and hair type of the ink brush; the color, color density and water density of the ink.
  • Standard Regular
    Cool people are not noisy or boring.
  • Standard Regular Italic
    Yao Mi thought hard for aminute, then her flying pen wrote several lines.
  • Standard Bold
    Moral dualism is the belief of the great complement of, or conflict between, the benevolent and the malevolent.
  • Standard Bold Italic
    Moral dualism is the belief of the great complement of, or conflict between, the benevolent and the malevolent.
  • Standard Black
    Last weekend, stylish crowds lined up outside the same building, now the KW Institute of Contemporary Art, to celebrate the institution’s 30th birthday
  • Standard Black Italic
    The complement of the union of two sets is the same as the intersection of their complements.
  • Standard Ultra
    Garden scientists and collaborators work to develop sustainable management plans for protecting at-risk species and ecosystems.
  • Settings
    Size
Typeface information

GT Ultra dances between the worlds of sans and serifs, fusing calligraphy and construction. The versatile typographic system combines the centuries-old context of serif type with the dynamism of modern sans; challenging its own definition and questioning contemporary typographic expectation.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian,Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Ultra’s fonts:

  • SS01
  • Alternate g
Aggregates
Typeface Minisite
  • Visit the GT Ultra minisite to discover more about the typeface family’s history and design concept.
GT Ultra in use